I explore the boundaries of sonic perception — between structure and noise, technology and presence.
My practice involves field recordings, analog artefacts, digital distortion, and spatial processing.
I’m interested in how sound shapes the sense of inner space and time.
Each composition functions as an architectural structure: every element holds and defines the atmosphere.
Imperfection — noise, cracks, artefacts — becomes a part of the language, a way to make the sound alive.
Silence, for me, is not absence but a medium in which sound reveals itself.
I aim to create sonic environments where the digital and the physical coexist, forming a state of presence.